Selasar Sunaryo Art House

One of the leading lights of modernist architecture, Ludwig Mies van der Rohe created a body of work—ranging from tubular steel furniture to iconic office buildings—that influenced generations of architects worldwide. These many forms of art can take place on any possible medium. The museum hosts over twenty exhibitions annually in addition to over 50,000 pieces of art in its permanent collection. A number of the more notable pieces in this collection embody works by Ansel Adams, Jackson Pollock, Richard Diebenkorn, and 1000’s of others.\n\nAfter warning me about Hanoi’s many art retailers” — kitschy stores geared toward tourists that sell cheaply produced decorative art — she sent me down the street to fulfill Vu Dan Tan, one of the first experimental artists in Hanoi, whose atelier, Salon Natasha, is open to the public and served as one of the first meeting places for up to date artists in Vietnam.\n\nThe 1-5-1 principle reads Adhering to the principle of politics as the guardian, we conduct the mix of five propositions—egalitarian and eminent, high stage discourse on ideology and high creative value, combining the nice practices of traditions and the revolutionary up to date values, combining the creativity of the individuals and the wisdom of the lots, and combining the socialist realism and revolutionary romantic by way of the Turun ke Bawah methodology, or get all the way down to the grassroots”.1The Indonesian version of the Prinsip 1-5-1 of LEKRA reads: Dengan berlandaskan azas politik sebagai panglima, menjalankan 5 kombinasi, yaitu meluas dan meninggi, tinggi mutu ideology dan tinggi mutu artistik, memadukan tradisi yang baik dan kekinian yang revolusioner, memadukan kreativitet individual dan kearifan massa, dan memadukan realisme sosialis dan romantik revolusioner, melalui cara kerja turun ke bawah.\n\nThis sense of spreading outward works equally nicely with the expansive, all-over paintings of Jackson Pollack as nicely the works of American Shade Subject Painters Helen Frankenthaler, Morris Louis and the centrally centered works of Kenneth Noland.\n\nFor example, an thought circulated throughout the art world of Europe that the settlers in America had been busy with more necessary matters corresponding to dealing with life and dying issues to be bothered with the intricacies associated with the fantastic art.